Variety Confidential
A true crime podcast on the history of the casting couch.
ACTORS ON ACTORS | Kim Kardashian and Chloë Sevigny bond over serial killers, Ryan Murphy shows and accents.
The 'SNL' stars reflect on how comedy has changed and whether you can separate art from artist.
A beach, a barbeque, a car cruising by on a warm night with the windows down and that song blasting — those are all true judges of Songs of Summer. And those of us with long…
Today marks the debut of our first edition of the Variety 10. Our goal is to focus on a specific field or discipline and highlight the 10 individuals we feel are the most…
Tom Sandoval, Chrishell Stause and Sam Asghari are among the big names competing in the Peacock series.
Holland's "Romeo & Juliet" on the West End is the hottest ticket in town -- even if the "Spider-Man" star won't sign any autographs.
Jesse Plemons, the women of 'Emilia Perez' take acting prizes
Sean Baker's Whirlwind Sex-Work Romance Sparkles Like the Tinsel in Its Leading Lady's Hair.
A Variety and iHeartRadio Podcast
The origin story of Furiosa has dazzling sequences, but George Miller's overstuffed epic is no 'Fury Road.'
The Chris Pratt-led animated movie misunderstands Garfield's appeal and is full of shamelessly conspicuous product placement.
Bobby Cannavale lets it rip as a dad who kidnaps his autistic son in Tony Goldwyn's not-bad hearttugger.
Starring Kathy Bates, Diane Keaton and Alfre Woodard, this tiresome film preaches fun but forgets to cut loose.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
Vince Staples searches for light on his new album, his most vulnerable project to date.
Dua Lipa's new album is a joyous blast of pop savvy.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02The short-form social giant is spot-testing a 60-minute video limit, putting it firmly in YouTube's long-form territory
With the appetite of a hungry grizzly, “The Bear” could gobble up a few Emmy records for its sophomore season. Fresh off a smashing first season that set a new benchmark for…