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The Fall Guy
'Atlas'
VOD Charts
Ryan Gosling's film has stiff competition from Alex Garland's latest in their debut PVOD weeks.
Ryan Reynolds and Cailey Fleming star in Paramount Pictures' "IF."
In many ways, Paramount Pictures' "IF" is a throwback to 1982 hit "E.T.: The Extra-Terrestrial." Times have changed.
THE FALL GUY, Ryan Gosling
The Oscar-nominated actor didn't feel like he needed to stunt while playing a stunt actor.
'KINGDOM OF THE PLANET OF THE APES', Proximus Caesar (voice: Kevin Durand), 2024. © Walt Disney Studios Motion Pictures / Courtesy Everett Collection
Box Office
The Disney franchise met or slightly exceeded expectations with $56.5 million, while A24's "I Saw the TV Glow" continues to show promise in expansion.
THE FALL GUY, Ryan Gosling
Box office
A $28.5 million opening on a $130 million movie is the least of it. In better news, "I Saw the TV Glow," "Wildcat," and "Evil Does Not Exist" saw decent platform debuts.
'La La Land'
After building his career beating goons to a pulp and pulling heists, Ryan Gosling has made a shift into softer roles for the sake of his family.
'The Fall Guy'
Filmmaker Interview

Everything you need to know about how director David Leitch and the stunt team executed the record-breaking cannon roll, 225-foot car jump, helicopter high fall, and boat jump.
'THE STUNT MAN', Steve Railsback, 1980, TM & Copyright ©20th Century Fox Film Corp./courtesy Everett Collection
Like This? Watch That.
This weekend's big release reminds us of another ode to the unsung heroes of filmmaking that didn't get the love it deserved when it came out over 40 years ago.
THE FALL GUY, Ryan Gosling
Screen Talk
San Francisco made a bid for Sundance, which is unlikely to show up there.
'Furiosa: A Mad Max Saga'
May films could match last year's total of $800 million, but there's a catch: None are expected to gross $200 million.
Ryan Gosling is Colt Seavers in THE FALL GUY, directed by David Leitch
Filmmaker Toolkit
Director David Leitch tells IndieWire about going old school for "The Fall Guy" and how, while practical stunts didn't go away after "The Matrix," wire work and CGI changed the profession.
Top of The Line Weekly
A weekly digest that captures the best of our Top of the Line coverage.

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